Yami Gautam recently reviewed her filmmaker-husband’s upcoming film, Dhurandhar: The Revenge. And if her words are to be believed, then the Ranveer Singh starrer is going to leave viewers emotional. Yami, who will reportedly have a cameo in the film, shared that she has already watched it and called it beyond extraordinary.

Speaking at News18 Rising Bharat Summit, the actress said, “I have already watched Dhurandhar 2. It is beyond extraordinary. I was really emotional. I had to catch a flight that day, so I couldn’t say anything to Aditya, but later, I couldn’t do anything. I had to read a script, but I couldn’t; I had to watch something, but I couldn’t. I was just watching the beautiful sunset outside and wondering what I would tell Aditya when the flight lands. I wanted to justify my feelings on the film and what I experienced. Aditya loves his audience and the country, and he has given his life’s effort to make this film. Dhurandhar 2 will be an experience that the audience will never forget.”

She was also asked whether any of her own films would be released on March 19, the release date of Dhurandhar 2. Yami replied, “Look, any main information related to Dhurandhar will be shared by Aditya himself. Like everyone else, I also have an important appointment that day in the cinema hall, so I’ll meet you all there.”

Yami also revealed that she was in the middle of shooting for Article 370 when she read the script of Dhurandhar for the first time.

Scheduled for release on March 19, Dhurandhar 2 is set to clash with Yash’s Toxic. After the first part crossed the Rs 1,000 crore mark, expectations are sky-high. The film stars Ranveer Singh, Arjun Rampal, Akshaye Khanna, Sara Arjun, R Madhavan and Rakesh Bedi, among others.

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In a development that has sent shockwaves across Tamil cinema and political circles, actor-politician Vijay and his wife Sangeetha are heading for divorce. Sangeetha has reportedly filed a petition at the Chengalpattu District Court seeking dissolution of their marriage on grounds of irreconcilable differences, alleged adultery and mental cruelty.

According to the petition, Sangeetha has reportedly accused Vijay of engaging in an extramarital relationship with an unnamed actress in 2021. She has stated that despite confronting him about the alleged affair, the emotional distance between them only widened. The filing further claims that she endured prolonged mental, emotional and physical neglect during the course of their marriage.

The petition also alleges that she was subjected to verbal disdain and that her financial autonomy was curtailed. It mentions restrictions on her freedom of movement, painting a picture of a relationship that had, over time, fractured beyond repair. In November 2025, the couple reportedly held what would become the last of two discussions to explore a mutually honourable exit from their marriage. Those conversations, however, did not lead to reconciliation.

Vijay and Sangeetha’s relationship has largely remained away from the public glare despite his towering celebrity status. The couple registered their marriage in the United Kingdom in 1998 before holding a traditional ceremony in Chennai in 1999. Over the years, Sangeetha maintained a low profile even as Vijay rose to become one of Tamil cinema’s most bankable stars and later stepped into active politics.

Their son, Jason Sanjay, has ventured into filmmaking as a director, while their daughter Divya Sasha has also occasionally been in the public eye. Despite speculation over the past few years about strain in their relationship, neither Vijay nor Sangeetha had addressed the rumours publicly.

The current legal proceedings mark a significant turning point in Vijay’s personal life, especially at a time when his political ambitions are expanding, and public scrutiny around him is intense. As of now, Vijay has not issued an official statement regarding the divorce filing.

For fans who have long viewed them as one of Tamil cinema’s most enduring couples, the news signals the end of a nearly three-decade partnership that survived the pressures of stardom, public life and political transition. What unfolds next will likely play out within the courtroom rather than the spotlight.

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When a film brings together two titans like Kamal Haasan and Rajinikanth, the internet is bound to erupt. And it did when the much-talked-about KH x RK promo, directed by Nelson Dilipkumar, dropped online recently. The stylish glimpse instantly went viral, with fans celebrating the rare sight of the two legends sharing screen space again.

While excitement dominated timelines, a parallel conversation soon gathered momentum. A section of netizens began speculating that portions of the promo may have been generated using artificial intelligence. Particular shots featuring stylised models in the backdrop triggered suspicion, with some viewers questioning whether the imagery had been digitally fabricated.

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In a social media landscape where speculation spreads faster than fact, the promo quickly became the centre of an unexpected controversy.

On Wednesday night, the film’s producer Red Giant Movies stepped in to put the rumours to rest. The banner shared a behind-the-scenes video from the shoot of the KH x RK promo, offering a clear look at the practical setup, lighting rigs and live-action filming process.

“Lights. Camera. Action. A sneak peek into the making of KH x RK promo,” read the caption accompanying the BTS clip.

The video shows Nelson Dilipkumar orchestrating the shoot while interacting with both Rajinikanth and Kamal Haasan between takes. The two icons appear relaxed and animated, discussing shots and sharing candid moments on set. The models seen in the original promo are also visible in the making footage, reinforcing that they were physically present during filming.

The BTS video culminates in a warm embrace between Kamal and Rajinikanth once the shoot wraps, a moment that instantly became a fan favourite. More than a clarification, the clip felt like a celebration of collaboration.

That said, the debate has not been limited to AI speculation alone. Some social media users have raised objections to the presence and styling of the models in the promo, arguing that it borders on objectification. Others have countered that the aesthetic falls within the larger stylised tone of the glimpse.

Beyond the controversy, the film itself carries immense historical weight. The yet-untitled project marks the first time Kamal Haasan and Rajinikanth are sharing the screen after Thillu Mullu, where Kamal made a cameo appearance. Their last substantial collaborations date back to Ninaithale Inikkum and Allauddinum Albhutha Vilakkum, the latter having both Malayalam and Tamil versions.

The reunion of these two stalwarts is significant not just for nostalgia but for what it represents. Both actors have evolved into cultural institutions over the decades, shaping the language of mainstream South Indian cinema in distinct ways. Seeing them together under Nelson’s direction promises a collision of charisma, legacy and contemporary style.

On the technical front, the film boasts music by Anirudh Ravichander and cinematography by Rajiv Menon, further raising expectations.

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