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Divya Darshan Brings Himachalâs Sacred Shaktipeeths To Screen This Navratri
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Divya Darshan Brings Himachalâs Sacred Shaktipeeths To Screen This Navratri

Some stories live only in prayers whispered inside temple walls. This Navratri, Times Music Spiritual is pulling those stories out into the open. Divya Darshan, a new 10-part documentary series, premieres from October 12 and takes viewers deep into Himachal Pradesh’s most revered Shaktipeeths, the ten sacred Devi temples that have shaped the region’s spiritual identity for centuries

divya darshan

The format itself is what makes this one stand out. Rather than a straightforward travel special, Divya Darshan is an anchor-led, cinematic long-format series built around real conversations, with priests, local historians and researchers unpacking the lesser-known legends and age-old rituals tied to each temple. Expect fewer postcard shots and a lot more storytelling.

 

Viewers will journey across iconic shrines like Kangra’s Brajeshwari Devi, the eternal flame of Jwalamukhi, Chamunda Devi, and Chintpurni, alongside quieter, mist-shrouded mountain sanctuaries. Each episode captures traditional devotional chants, architectural marvels carved in wood and stone, and intimate interviews with generational temple custodians, bringing ancient Himalayan folklore and sacred customs vibrantly to life.

 

The project also comes with some serious institutional backing. It’s been made possible with special guidance from Shri Mukesh Agnihotri, Deputy Chief Minister of Himachal Pradesh, along with access and support from the state’s Cultural Ministry.

divya darshan

Agnihotri himself had warm words for the project. “Himachal Pradesh’s ancient temples and timeless traditions are central to our cultural heritage. I commend Times Music Spiritual for bringing these sacred destinations to a wider audience through Divya Darshan and promoting spiritual tourism in the state.”

Mandar Thakur, CEO of Times Music, echoed that sentiment, framing the series as something bigger than just religious content. “India’s temples hold stories that go far beyond their walls, carrying centuries of faith, history and tradition. With Divya Darshan, we aim to bring these stories to a wider audience through meaningful, long-format storytelling.”

 

With Navratri already setting the mood for devotion and reflection, the timing couldn’t be more fitting. Divya Darshan streams from October 12 on the Times Music Spiritual YouTube channel.

 

Also Read: Navratri Day 2: Bollywood’s White Edit Is Pure Festive Elegance

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Exclusive: Mohini Brought Out a More Carefree Uninhibited Side of Me- Yami Gautam on Nayyi Navelli
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Exclusive: Mohini Brought Out a More Carefree Uninhibited Side of Me- Yami Gautam on Nayyi Navelli

Yami Gautam Dhar is gearing up for the release of her upcoming film, Nayyi Navelli. Directed by Balaji Mohan, the fantasy family entertainer sees the actor play Mohini, a newly married woman who enters a chaotic household in Meerut. While her arrival initially brings peace and harmony to the family, her brother-in-law begins to suspect that the seemingly perfect bahu may actually be a daayan (witch). It is scheduled to release in theatres on October 16.
Yami Gautam
Ahead of the release, Yami opened up about playing Mohini and explained how the character allowed her to explore a lighter, more spontaneous and playful side of herself. She also spoke about the comedy, physicality and dancing that went into bringing the character to life.
She said, “I think audiences will see a side of me that is lighter, more spontaneous and a lot more playful. There’s much more comedy, mischief and physicality in Mohini, and she gave me the freedom to let go of some of that control that you naturally have as an actor and just respond to what’s happening in the moment. That was very refreshing for me.”
Yami also described the dancing as an enjoyable part of the experience, crediting composer G V Prakash Kumar’s music and choreographer Vijay Ganguly’s work for helping bring out Mohini’s playful personality.
Yami Gautam
“The dancing was another amazing experience. G V Prakash Kumar’s music has such a playful, infectious quality, and Vijay Ganguly’s choreography really brought that out. I got to let loose and really enjoy myself, which was a lot of fun,” she added.
Speaking about Mohini’s sense of humour, she continued, “I also think Mohini has a very instinctive sense of humour. A lot of her reactions are unexpected, and sometimes the funniest moments come from simply trusting that instinct and not overthinking it. That was something I really enjoyed exploring. I feel like Mohini brought out a much more carefree, uninhibited side of me, and I hope audiences have fun discovering that side too!”

Directed by Balaji Mohan under the banner of Amazon MGM Studios and Colour Yellow Productions, the film also stars Adinath Kothare, Mita Vashisht, Sonal Jha and Sunita Rajwar, among others.

Also Read: Yami Gautam Urges Media to Stop Using AI to Alter Her Photos

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The White Edit: Navratriâs Second Dawn Reimagined in Haute Couture
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The White Edit: Navratriâs Second Dawn Reimagined in Haute Couture

In the kaleidoscopic landscape of Indian festive dressing, where crimson silks and heavy bullion embroidery routinely command the conversation, white remains the sartorial purist’s ultimate provocation. For Day Two of Navratri, the hue arrives unburdened by ascetic associations, recast instead through the prism of high-octane luxury, razor-sharp tailoring, and textural excess.

 

To wear white now is not to retreat into neutrality; it is an assertive architectural decision. On the red carpet and the festive circuit alike, Bollywood’s style architects have replaced monolithic solids with calculated tactility, swapping predictable gold borders for cascading natural pearls, gossamer organza, raw temple silver, and antique stones that cut through chalk like a sharp slash of ink.

 

The Architecture of Ivory: Sculpted Bodices & The Royal Pallu

 

The modern drape lives or dies by its bodice and nowhere is this reinvention more striking than when the silhouette abandons classical conventions for sculpted grandeur.

White ethnic wear

Kriti Sanon’s pearl-caged capelet serves as the definitive reference point for architectural eveningwear. Encasing the neckline in concentric tiers of luminescent seed pearls before spilling into scalloped fringe over bare shoulders, the structured carapace allows her pristine satin saree to cascade effortlessly beneath it. It is high drama realised in monochrome. Ananya Panday takes a softer, though no less deliberate, path: an off-the-shoulder corset laced with tonal garden motifs, held by a diaphanous sheer illusion collar.

 

When the neckline itself is the ornament, neckwear is strictly superfluous. Stylists know to strip away the clutter: leave the décolletage bare, opt for solitaire diamond studs, and focus visual gravity on the hands with an oversized emerald ring or an artisanal gold cocktail cuff. Ground the column drape with metallic satin stiletto courts or barely-there Plexi heels that peek beneath the floor-skimming pleats.

White ethnic wear

At the imperial apex of this spectrum sits Aishwarya Rai Bachchan, reminding us that sheer yardage, when handled with couture discipline, remains unmatched. Her heavy ivory drape, sheathed beneath a sweeping floor-length cape edged in bullion embroidery, delivers an old-world aristocratic stateliness that belongs on the Croisette. Here, the clean ivory field becomes a pedestal for contrast: a multi-strand cascade of raw tourmaline and cabochon rubies layered against the throat transforms an otherwise serene white palette into a decadent tableau of royal heirloom style.

White ethnic wear

Sunlit Transparency: Gossamer Tulle & Marigold Organza

 

Daylight rituals call for an entirely different atmospheric register. Rather than heavy crepes and stiff satins, daylight embraces the sheer translucency of tissue, mulmul, and raw silk weaves that trap the autumn sun.

White ethnic wear

Alia Bhatt’s sun-drenched organza drape offers the definitive daytime masterclass. Grounded by a chalk-white base, the fabric is punctuated by vibrant marigold bootis and delicate zigzag cutwork borders. It is unstudied, buoyant, and deeply chic. For daylight poojas and afternoon soirees, eschew elaborate diamond parures in favour of silver-gilt filigree: stacked, oxidized jhumkas that brush the collarbones, a single micro-bindi, and skin buffed to a dewy, candlelit sheen.

 

For an even lighter, nineties-inflected sensibility, look to Alia’s spaghetti-strap kurta layered over a diaphanous tulle sharara. Free from cumbersome dupattas and heavy borders, the clean column lines evoke understated society polish. Accentuate the bare clavicle with oversized silver chandbalis, slip into artisanal juttis stitched with metallic dabka thread, and keep the beauty clean, softly smudged kohl, windswept hair, and a glazed caramel pout. 

White ethnic wear

 

The New Structure: Shararas, Duster Capes & Sartorial Ease

 

For those navigating late-night celebrations that drift from intimate drawing-room dinners to open-air gatherings, tailoring emerges as the couture alternative to the nine-yard drape.

Deepika Padukone’s peplum tunic and geometric lace sharara illustrates the power of sharp proportion. The elongated silhouette creates an unbroken vertical line, balanced by the gentle flare of textured trousers that catch the light with subtle micro-sequins. It is quiet luxury in its purest form. Kiara Advani adopts a similar sartorial rhythm, pairing an ivory bustier and high-waisted palazzo trousers with a floor-sweeping floral duster coat that offers fluid drama without the weight of a lehenga.

White ethnic wear

The styling secret here lies in deliberate contrasts:

  • The Breakout Gem: When opting for tone-on-tone embroidery, introduce a singular, sharp colour puncture. A carved jade or emerald collar choker breaks up the ivory lace with cool, aristocratic confidence.
  • The Minaudière: Swap soft drawstring bags for architectural clutches, a mother-of-pearl box, a vintage hammered-gold case, or an intricately crystal-dusted frame clutch.
  • The Footwear: Clean pointed-toe satin pumps or metallic ankle-strap stilettos keep the trouser hems razor-sharp off the ground.
White ethnic wear

When executed with this level of curatorial precision, white ceases to be an absence of colour. It becomes the boldest statement in the room.

White ethnic wear

Also Read: Shehnaaz Gill makes a case for summer ethnic casuals

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