A case under the Protection of Children from Sexual Offences (POCSO) Act, along with other relevant sections, has been registered against the accused.
Bowen Yang transformed into a Hippo for an SNL sketch about a baby hippopotamus named Moo Deng from Thailand, who became an internet sensation overnight. But the sketch surprisingly threw shade at pop star Chappell Roan with multiple references. The fake talk show Weekend Update, hosted by Colin Jost, welcomed the baby hippo (Yang) for a one-on-one discussion.
Jost noted that visitors have been throwing bananas and shellfish at the internet star Moo Deng to get her attention. “Here to comment is Moo Deng,” the host announced, and Yang slid inside the frame, dressed head-to-toe as a Hippo. “For the past 10 weeks, I have been going nonstop. Running around, eating lettuce, trying to bite the water from a hose,” the comedian said.
The hippo compared her experience with that of Roan, who recently announced that she needed a break from performing to focus on her health. “It has come to the point where I need to set some boundaries,” Yand said as Moo Deng. She added a “reminder” that noted how women don’t owe anyone anything and that people should not expect them to pose for pictures because they appreciate their talent.
“When I’m in my enclosure tripping over stuff, biting my trainer’s knee, I am at work. That is the project. Do not yell my name or expect a photo,” Moo Deng added.
When asked about her talent, she said “Having a slippery body that bounces.” Before her rise to fame, there were only two types of famous hippos — hungry hungry (hippos, the board game) and Jada Pinkett Smith in Madagascar.
“But now, I’m your favorite hippo’s favorite hippo,” Yang said as Moo Deng, referencing a quote from the Pinky Ponky Club singer where she called herself, “your favorite artist’s favorite artist.” When asked about the stress and pressure of the whole world watching, Moo Deng said it feels like living in a cage, like an animal trapped in a zoo. “Well, that’s kind of what you are,” the host implied.
“Your life sounds a lot like Chappell Roan’s lately. Do you know Chappell Roan?” Jost asked. “I’m 10 weeks old, Colin, of course I know Chappell Roan. By the way, leave her alone,” Yang replied.
The world has lost one of its finest actors with the passing of Dame Maggie Smith at the age of 89 leaving behind a remarkable cinematic legacy spanning six decades. Known for her unmatched versatility, Smith brought an array of unforgettable characters to life on the screen, from the strict yet lovable Professor McGonagall in the Harry Potter series to the dignified Mother Superior in Sister Act.
With her iconic wit, emotional depth, and undeniable charm, she captured the hearts of audiences worldwide. As we reflect on her incredible career, we pay tribute to ten of her greatest films that showcase her immense talent and lasting impact on the world of cinema. Whether playing a sharp-tongued aristocrat or a quirky recluse, Maggie Smith’s performances remain timeless, ensuring her memory will continue to inspire generations to come.
Maggie Smith brought the beloved character of Professor Minerva McGonagall to life in the Harry Potter series, captivating fans across generations. Her portrayal of the strict yet caring head of Gryffindor House blended discipline with a sense of warmth, making her a standout character in the franchise. Like McGonagall, Smith expertly balanced her authoritative presence with subtle moments of humour and affection, particularly in scenes with Harry and his friends.
Throughout the series, Smith’s performance evolved to show McGonagall’s deep loyalty, fierce courage, and unwavering belief in her students. It’s no surprise that fans worldwide still hold her portrayal close to their hearts.
In The Lady in the Van, Maggie Smith took on the role of Miss Shepherd, a homeless woman who takes residence in a van parked in a playwright’s driveway. With her usual flair for playing unusual and eccentric characters, Smith brought depth to the role, mixing humour with moments of poignancy. The film allowed Smith to explore the complexity of ageing, isolation, and the resilience of the human spirit.
Her portrayal of Miss Shepherd was both maddening and endearing, capturing the audience’s attention with her natural charm. It was one of those roles that allowed her to show both her comedic timing and her talent for portraying deeper emotions.
In The Prime of Miss Jean Brodie, Maggie Smith delivered one of her most memorable performances as a fiercely unconventional teacher. Miss Brodie is a character full of contradictions, passionate yet flawed, nurturing but dangerous. Smith’s portrayal of the eccentric and manipulative schoolteacher earned her an Academy Award for Best Actress, and it’s easy to see why.
Her performance was vibrant and layered, capturing the complex nature of a woman who seeks to inspire her students but crosses moral boundaries. Miss Brodie’s defiance, charm, and tragic downfall made this role one of Smith’s career highlights.
In A Room with a View, Maggie Smith took on the role of Charlotte Bartlett, a repressed and socially conscious chaperone. This period drama allowed Smith to showcase her impeccable ability to convey emotion with restraint. Her portrayal of the proper but conflicted Charlotte earned her critical acclaim and an Academy Award nomination for Best Supporting Actress.
Smith’s nuanced performance captured Charlotte’s inner turmoil, and her sharp wit provided moments of humour in the otherwise dramatic storyline. It was a subtle, yet masterful display of her acting prowess, where she effortlessly combined tension, emotion, and humour.
In Sister Act, Maggie Smith played the no-nonsense Mother Superior, head of the convent where Whoopi Goldberg’s character hides from the mob. Her stern exterior, contrasted with her underlying warmth, added a layer of sophistication to the film’s comedic tone. Smith’s performance was a perfect balance of grace and humour, and her scenes with Goldberg were a delight to watch.
While the plot revolved around chaos, Smith’s grounded and dignified portrayal of the Mother Superior gave the film an emotional centre. It’s no wonder that Sister Act remains one of her most beloved roles.
Maggie Smith stole the show in Gosford Park as Constance, Countess of Trentham, a sharp-tongued aristocrat with a knack for biting remarks. Her quick wit and impeccable timing added layers of humour to the film’s upstairs-downstairs dynamic. Playing a character who hides her insecurities beneath an air of superiority, Smith manages to both amuse and intrigue the audience.
Her scene-stealing performance earned her an Academy Award nomination, proving once again her remarkable ability to deliver both comedy and drama effortlessly. Gosford Park remains a prime example of Smith’s talent for transforming even the most self-absorbed characters into fascinating figures.
In Travels With My Aunt, Smith portrayed Aunt Augusta, a free-spirited woman who takes her nephew on an unexpected adventure. Smith’s portrayal of Augusta was lively, unpredictable, and full of charm. The character’s eccentricity allowed Smith to explore a more playful side, and she brought Augusta to life with gusto. Her energy in this role was infectious, and her ability to mix humour with emotion made Augusta a lovable and unforgettable character.
This performance earned her another Academy Award nomination, cementing her reputation as a versatile actress who could excel in a wide range of roles.
In The Best Exotic Marigold Hotel, Maggie Smith portrayed Muriel Donnelly, a cranky retiree who reluctantly moves to India. Throughout the film, Smith’s character goes through a remarkable transformation—from a judgmental woman to someone who embraces a new culture and life.
Her performance was both touching and hilarious, blending Muriel’s bluntness with vulnerability. Smith’s ability to show character growth made Muriel’s journey even more compelling. She added heart and humour to the ensemble cast, reminding audiences why she’s considered one of the best in the business.
In Quartet, Smith played Jean Horton, a retired opera singer coming to terms with her past and ageing. This role allowed Smith to delve deep into themes of regret, friendship, and redemption. Her portrayal of Jean was equal parts dignified and vulnerable, and she brought a mix of humour and melancholy to the character.
The film’s focus on a group of elderly musicians provided Smith with an opportunity to explore the complexities of ageing and the passage of time, making her performance all the more poignant. It was a touching reminder of the resilience that comes with age.
In Downton Abbey, Maggie Smith reprised her iconic role as Violet Crawley, the Dowager Countess of Grantham. Known for her biting wit and sharp one-liners, Violet was the heart of the film.
Smith’s portrayal of the Dowager Countess was a masterclass in delivering humour with precision, and her ability to mix comedy with moments of tenderness made Violet one of the most beloved characters in the Downton Abbey universe. Even in a large ensemble cast, Smith stood out, proving that her talent could shine in any role, no matter the size.
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