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Nagaland Film Angh Wins Platform Prize at TIFF 2026 Secures Oscar Pathway
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Nagaland Film Angh Wins Platform Prize at TIFF 2026 Secures Oscar Pathway

Indian film Angh, directed by Naga filmmaker Theja Rio, has won the Platform Prize at the 2026 Toronto International Film Festival (TIFF). The win gives the film a direct pathway to the Best International Feature Film category at the 99th Academy Awards, under new eligibility rules introduced by the Academy this year.
Set in Nagaland in the early 1960s and told in the Konyak language, Angh follows a former village chief and his young son as they remain in one of the last communities holding on to an ancient way of life. Their isolated existence is disrupted by the arrival of an American missionary, bringing questions of faith, cultural identity and a changing world into the father-son relationship. The film stars Indigenous actors from Nagaland alongside Scottish actor Douglas Henshall.
TIFF
The Platform jury, led by filmmaker Pablo Trapero, awarded the film the festival’s top prize in the section. Its citation read, “The Platform Prize goes to Angh. For its refreshing perspective, strength of filmmaking, and deeply resonant portrait of a world. We praise the filmmaker’s vision, audacity and courage.”
The win is particularly significant because the Academy changed its rules for the 99th Oscars. From this year, a non-English-language film can enter the International Feature Film competition through two routes. It can be submitted by an eligible country or region, as before, or it can qualify by winning a designated award at one of six international film festivals. The six awards are the Golden Bear for Best Film at Berlin, the Busan Award for Best Film at Busan, the Palme d’Or at Cannes, the World Cinema Grand Jury Prize at Sundance, the Platform Award at Toronto and the Golden Lion at Venice. Angh becomes the first film to use TIFF’s newly designated pathway.

Meanwhile, Marathi film Gondhal, directed by Santosh Davakhar, was selected by the Film Federation of India as India’s official submission for the Oscars 2027. It will therefore enter the Oscars through the traditional country-selection route, while Angh has qualified independently through its TIFF victory.
Angh was not India’s only presence at Toronto this year. Karthik Subbaraj’s Tamil film Dorothy had its world premiere at TIFF. Keerthy Suresh features in the film, which combines elements of action, noir and dark comedy. Richie Mehta’s Phoolan also had its world premiere in the Special Presentations section.
Malayalam cinema made a particularly distinctive appearance with Half, directed by Samjad, while Shaunak Sen returned to TIFF with Termite, a 31-minute Hindi-Urdu short set in Old Delhi.

Also Read: Karthik Subbaraj’s Dorothy Gets Standing Ovation at TIFF 2026 World Premiere

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Rashmika Mandanna Reveals Physical and Emotional Toll of Shooting for Mysaa
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Rashmika Mandanna Reveals Physical and Emotional Toll of Shooting for Mysaa

Rashmika Mandanna has opened up about the physical and emotional toll of shooting her upcoming film Mysaa, describing it as unlike anything she has attempted before. Speaking about stepping into unfamiliar territory at the film’s teaser launch event, she said, “This film is new territory to me. A first is always nervous. I have always wanted to try out something new every time. For Mysaa, I gave my life. What all have they made me do! Imagination has no bounds. But translating that onto the screen is not easy at all.”

Rashmika Mandanna

From hilltop sprints to a 90-foot leap of faith

The actress recalled shooting in the forests of Kerala, where a single misstep could have led to serious injury. She spoke, half-amused, about director Rawindra Pulle’s uncompromising demands. “The director took us to a hilltop and asked me to run at maximum speed. I expressed dismay and fear, saying a slip could spoil my schedules for other projects too. But he wouldn’t budge,” she shared, almost laughing at her own predicament.

Mysaa telugu film

“Am I a fish?”

Her fear of heights was tested further when she was asked to jump off the 90-foot Athirappilly waterfalls. “The director asked me to do it just like that! I was shivering through the day, literally,” she laughed. Even her swimming skills didn’t spare her from the underwater sequence. “He asked me to be underwater for eight hours. Tell me, am I a fish? The mud fight was another (strange) experience. It was so, so hard. Yet I did it,” the Animal actress added. With twelve days of shooting left, she admitted, “I am already scared.”

The hardest blow came off-camera. “While dancing, my hip tendon got detached. The doctor told me he had seen it only in football players. The fixing is going to take another three weeks,” the Chhaava actress shared, adding, “I am soft-hearted. I can go to any length for a film if the director is passionate.” Mysaa will head to theatres on November 27.

Also Read: Mysaa Teaser: Rashmika Mandanna turns ruthless warrior in a Gond tribal saga

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Veteran Bengali Actress Mithu Mukherjee Passed Away At 71 After Battling Cancer
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Veteran Bengali Actress Mithu Mukherjee Passed Away At 71 After Battling Cancer

September 21, 2026, marks a sad day in the world of cinema following the passing of veteran actress Mithu Mukherjee.

Mithu Mukherjee was a prominent name that echoed across the industry and in the hearts of all her die-hard fans. She was especially active during the 1970s and 1980s, featuring in multiple projects in lead roles.

Mithu Mukherjee

Born in Kolkata, Mukherjee entered the industry at the tender age of 17, debuting in Shesh Parba in 1972. She quickly became a household name following her breakout role in Marjina Abdulla. She has featured in a number of Bengali films through her prime years, including the likes of Swayamsiddha, Hotel Snow Fox, and more.

Mithu Mukherjee

Some names that resonate in our minds from her stint in Hindi cinema include Dillagi, where she starred alongside Dharmendra and Hema Malini, and Khaan Dost, alongside Raj Kapoor.

Throughout her career, she ensured to deliver a lasting impact through whichever role assigned, small or big. Her last ever film was Chandra Barot’s Ashrita in 1990. After that, she took the decision to exit the industry gracefully and live a private life.

Also Read: Everything We Are Watching This Week (September 15-20): Daayra, Resident Evil & More

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