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Digger: Alejandro G. Iñárritu explains why he shot Tom Cruise starrer entirely in VistaVision
onmynews.com

Digger: Alejandro G. Iñárritu explains why he shot Tom Cruise starrer entirely in VistaVision

Ahead of the theatrical release of Digger, starring Tom Cruise and directed by Academy Award-winning filmmaker Alejandro G. Iñárritu, the film’s distinctive use of VistaVision took centre stage at a special session hosted at Whistling Woods International. Cinematography students had the opportunity to attend a screening of the film, followed by a masterclass conducted by faculty members, with Digger used as a case study to explore the format and its application. Shot entirely in VistaVision, the film marks a rare contemporary use of the large-format filmmaking technique, with Iñárritu and his team using specially crafted lenses to shape

its visual language, depth and detail.
The masterclass examined the technical and creative choices behind the film, including lenses, framing, composition, scale and image detail, while looking at what VistaVision brings to the theatrical experience. With Cruise at the centre of the film as Digger Rockwell, the format forms an integral part of Iñárritu’s approach to building Digger for the big screen.
On the creative thinking behind Digger, Alejandro G. Iñárritu has shared insights into the film’s visual language, its use of VistaVision and his collaboration with cinematographer Emmanuel “Chivo” Lubezki. Speaking about the visual language of Digger, Alejandro G. Iñárritu said, “Films usually tell you exactly where to look. We tried to do the opposite—everything is telling the story, rewarding your curiosity. Every corner of each frame is alive. Nothing is in there without a reason. You can wander through the image, because sometimes the most important thing is quietly happening in a corner, waiting to be noticed. Our design, frames and colour temperatures were inspired by classical painters: Hammershøi, McNeil, Whistler, Vermeer and Rembrandt. Las Meninas of Velázquez. I had hundreds of images of these paintings in my office and Chivo and I studied deeply.”
Speaking about working with cinematographer Emmanuel “Chivo” Lubezki and the decision to shoot Digger in VistaVision, Alejandro G. Iñárritu said, “Chivo is a brother, a friend and a collaborator of 35 years—the first time I shot with him I was 28 years old. He is an artist and I can’t think of anybody who better understands the nature of light and photography at that level. We had determined to use VistaVision, which is very complicated, and for the first time ever, Chivo and I were allowed to mount the new wide vintage Leica lenses, designed specifically for the film, to achieve the effect we needed visually. Everything looks different through VistaVision, so it was a challenging and complex shoot. I’ve always said that big format doesn’t matter, and then I go with this format, however, we did something contrary to the reason VistaVision was made by having a 1:5 ratio, and it’s a beautiful thing. It’s scale.”

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Cruise stars in the title role alongside Oscar winner Riz Ahmed, John Goodman, Oscar nominee Sandra Hüller, Michael Stuhlbarg and Oscar nominee Jesse Plemons. Robert John Burke, Emma D’ Arcy, Burn Gorman and Sophie Wilde also star.
Iñárritu directed from a screenplay by Alejandro G. Iñárritu and Oscar winners Alexander Dinelaris and Nicolás Giacobone, and Sabina Berman, from a story by Iñárritu and Berman. The film is produced by Iñárritu, Oscar nominee Mary Parent, Tom Cruise and Michael Sharp, and executive produced by Joshua Grode, Sabina Berman, Alexander Dinelaris, Nicolás Giacobone, Jez Butterworth and Emmanuel Lubezki.

Digger

Joining Iñárritu behind the camera are previous collaborators including Oscar-winning director of photography Emmanuel Lubezki; editors Conor O’Neill and Oscar winner Stephen Mirrione; Oscar-nominated costume designer Jacqueline West; Oscar-winning makeup and hair designer Alessandro Bertolazzi; and Oscar-nominated casting director Francine Maisler; alongside Oscar-winning production designer Dennis Gassner and production designer Richard Johnson, Oscar-winning prosthetic makeup designer Kazu Hiro, and composer Cosmo Sheldrake.
An Alejandro G. Iñárritu Film, Digger was shot entirely in VistaVision and will be released in Cinemas and IMAX across India on 2nd October 2026. The film will be distributed by Warner Bros. Pictures.

Also Read: Alejandro Iñárritu Reveals The Unusual Journey Behind Tom Cruise’s Digger

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Ranabaali Trailer Likely On October 8 Divine Element Nearly Confirmed
onmynews.com

Ranabaali Trailer Likely On October 8 Divine Element Nearly Confirmed

Vijay Deverakonda’s Ranabaali is inching closer to its trailer launch. Buzz suggests that the trailer will arrive on October 8, a full week before the film hits theatres on October 16.

Titular character and the real-life references

Vijay, known for Arjun Reddy, plays Singanamala Bobbili Ranabaali. The character is modelled on the 19th-century Palegars of Rayalaseema. Names such as Budda Vengal Reddy, Uyyalawada Narasimha Reddy and Gadekal Bobbili Nagireddy have been cited by the makers. They were chieftains and local rebel leaders whose stories continue to be narrated by Seema folk singers to this day.

ranabaali release date

“People sing legends about them even today,” director Rahul Sankrityan says. The Shyam Singha Roy maker began with Nagireddy’s persona. Nagireddy was a consummate horse rider. Legend has it that he could communicate with deities, and he was killed in a conspiracy. This could suggest that Vijay’s character, too, may become a martyr as a result of a conspiracy.

Another chieftain, whose life has partially inspired the character, was known as a philanthropist of sorts. The director drew inspiration from their macho and muscular personas while shaping Ranabaali.

The supernatural element

The film is now nearly confirmed to carry a supernatural element, considering Nagireddy’s real-life story has been used in building Vijay’s character. The teaser hinted at it, too. A major stretch of the film is expected to bring in the divine, adding another layer to the rebellion saga.

Ranabaali first single

The story unfolds in the 1870s, when a severe famine had struck the Madras Presidency. The suffering of the people under British rule forms the backdrop. One highlight is reportedly a 16-minute episode leading up to the climax. It is said to be among the most anticipated stretches of the film. Expect the trailer to offer a glimpse of the scale of this rebellion.

Rashmika Mandanna plays the female lead, and her character, too, is a fictional protagonist. The song Endhayya Saami brought out the sensuous chemistry between the lead pair. The Ajay-Atul duo, known for composing the music of Adipurush, has scored the film’s soundtrack.

Also Read: Rashmika Mandanna, Vijay Deverakonda’s Ranabaali Has a BTS Documentary Series

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Hockey Legend Pargat Singh Named Punjab Congress Chief Months Ahead Of Polls 
onmynews.com

Hockey Legend Pargat Singh Named Punjab Congress Chief Months Ahead Of Polls 

​This change comes after the party last month replaced its central in-charge, appointing Sachin Pilot in place of Bhupesh Baghel, as the latter was seen as partisan in a battle largely between camps led by Raja Warring and former chief minister Charanjit Singh Channi. 

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