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‘Such Violence Is Unacceptable’: Shikhar Dhawan Condemns Assault Of Hindu Woman In Bangladesh
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‘Such Violence Is Unacceptable’: Shikhar Dhawan Condemns Assault Of Hindu Woman In Bangladesh

Several Hindus have been attacked in Bangladesh after violent protests erupted in the neighbouring country following the death of July uprising organiser Sharif Osman Hadi.

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PIB Fact Check Warns Against Fake Investment Ads Using AI Videos Of Finance Minister
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PIB Fact Check Warns Against Fake Investment Ads Using AI Videos Of Finance Minister

PIB Fact Check warns against AI-generated videos of Nirmala Sitharaman falsely promoting investment schemes. Asks public to verify with RBI and SEBI.

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Benedict Cumberbatch Talks About Exploring Grief Through a Mans View in The Thing With Feathers
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Benedict Cumberbatch Talks About Exploring Grief Through a Mans View in The Thing With Feathers

Benedict Cumberbatch will be returning to our screens in The Thing with Feathers, a story of grief and chaos. Adapted from Max Porter’s acclaimed novella Grief Is the Thing with Feathers, the film follows a widowed father and his two young sons as they struggle to process the sudden loss of their wife and mother, only to find their grief taking on a surreal, physical form.
More than a conventional drama, the story transforms sorrow into something visceral and unsettling. As a crow-shaped presence stalks the family’s home, it explores how pain can both destroy and heal, resulting in one of Cumberbatch’s most alive, haunting, and inventive performances.
Headlined by the Doctor Strange actor as the grieving father, the film also features David Thewlis as the menacing voice of Crow, alongside moving performances from young actors Richard and Henry Boxall as the two boys.
BENEDICT

Directed by Dylan Southern, the film blends intimate family drama with haunting, fantastical imagery to examine how grief reshapes identity, masculinity, and parenthood. As the father fights to hold his family together while hiding his own sorrow, the film offers a deeply emotional, yet ultimately hopeful look on what it truly means to live with loss rather than simply “get over” it.

Talking about how grief is portrayed, Benedict Cumberbatch said, “Max’s novel is an exceptional piece of prose. It’s lyrical, damaged, salvational, majestical, mundane, domestic, real and surreal. It is an extraordinary prism through which to reflect grief – the structure and intimacy of it. I wanted to keep Dad’s humanity. I wanted, as an actor, to be able to bring across somebody who is very human in his failings – someone who is working through things moment by moment. I think everyone in the film, from Max through to us, knows that grief is a universal experience. It’s also a very rare thing in culture to explore that through a male experience.”
He further added, “This film is important for any time, but I think it is particularly important now, because it is about the idea of male vulnerability and what it is to deal with grief and loss. It examines how we are these multifactorial strands of being, and what happens when we are blown apart by something as devastating as the loss of a significant other. The undoing that happens and how, from the ashes of that, something beautiful and honest can be rebuilt and reborn. We still live in a culture where dying, death and grief isn’t talked about all that much. It’s packed away. But, as we know, reality lives on, and it becomes a part of us. Love inevitably means loss because you can’t love something without loss. Nothing lasts forever. This is the extraordinary, haunting, beautiful and profound way to explore loss.”
The film will be released in India on 9 January, exclusively on Lionsgate Play.

Also Read: Benedict Cumberbatch Finally Reacts to Doctor Strange’s Absence From Avengers: Doomsday’s Cast List

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