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B. Y. Vijayendra Exclusive Interview | Karnataka Politics | Rahul Gandhi | English News | N18V
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B. Y. Vijayendra Exclusive Interview | Karnataka Politics | Rahul Gandhi | English News | N18V

B. Y. Vijayendra Exclusive Interview | Karnataka Politics | Rahul Gandhi | English News | N18VThe Karnataka government has constituted a one-man commission headed by retired Justice PN Desai to conduct a probe into the alleged scam in Mysuru Urban Development Authority (MUDA), which is a worry not only for MUDA officials but private developers as well, as the probe will include layouts developed from 2007 to July 15, 2024. The probe will be carried out over six months.

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Exclusive: Sanjana Sanghi reveals how Bollywood has changed post Covid
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Exclusive: Sanjana Sanghi reveals how Bollywood has changed post Covid

Sanjana Sanghi is fresh off the success of her last release Dhak Dhak (2023) and loved being part of this all-women film. Describing the dynamics on the set of Dhak Dhak, she says, “Well, women across generations working together in a film can go South as well.

But, I think credit must be given to Tarun Dudeja, our director, who just gave us such amazing parts that we all knew what to do. The core character sync was there and everyone believed in their characters. It was pure and I feel that’s what the audience has connected to. And probably that’s the reason why we are even making a sequel. It has the four of us again along with a few additions. It’s in the final part of writing right now. We’ll be starting filming by the end of the year.” Discussing her film choices in the post-COVID landscape, she notes that the theatrical business took a complete nosedive and OTT content started ruling. To build a career in such a volatile environment has been extremely challenging for a new-age actor like her.

Earlier Hindi films used to have a template and now it’s all changed. “So, we have to be very adept and agile in making choices. Maybe, if I would have made my debut in 2014, I am not sure if Kadak Singh (2023) and Dhak Dhak would have been my third and fourth film after making a commercial debut with Sushant Singh Rajput in Dil Bechara (2020).”  

She truly craves being a part of a film where she can reach the number of people that she did with Dil Bechara. Because that kind of pan-India consumption of one’s work gives an actor the luxury of making more choices later. She wants to work with filmmakers she has long admired. She knows people like Imtiaz Ali and Vishal Bhardwaj would make one film in two-three years but she wants to be in projects like that. On her future collaborations with directors, she reveals, “I have had the good fortune of being in touch with Zoya Akhtar and Farhan Akhtar, talking about different possibilities of working with them. That in itself is a huge thing for me. I want to work with Imtiaz Ali again, I respect his creative mind a lot. Alankrita Shrivastava and Neeraj Ghaywan too.”

When asked about the declining power of stars in today’s scenario and its impact on actors like her, she asserts, “I think it’s a double-edged sword. When you want to be a mainstream Hindi film heroine, you want to do a little bit of everything.

“I don’t think I only want to do purely content-driven cinema. I am also happy to be in a song and dance film.” Her desire is to connect with the largest number of people in the country. And there is a certain kind of cinema that penetrates the market which comes from that canvas. The idea is to do both, commercial as well as content-driven films.”

Addressing changes in the auditioning process, Sanjana recounts, “I’ve auditioned actively since the age of 17. It was really like taking a shot in the dark. All we used to be given was a scene, we were not even told the name of the project or the director. It all changed for me post Dil Bechara. Post that when calls used to come to me that people wanted to narrate a film to me, I used to be shocked. It was a very quick turnaround.” But what breaks her heart is when after a reading or narration there is silence. She only feels like the makers should at least inform the actor. Because actors tend to pin their hopes on a project and it’s only fair to tell them that things didn’t work out.  She hates the fact that there are no callbacks for aspiring actors and the geek in her cribs that there’s no way of emailing or sending CVs to directors she wants to work with. “For the Delhi girl in me, it is very difficult to say no to any work. If I would have said yes to everything that had come my way, my trajectory would have been very different. So, I am still developing my filters. Sometimes it’s my gut feeling, sometimes it’s about how important doing that project is for me. It happened to me in OM. It was supposed to be this big-ticket commercial action film with Aditya Roy Kapur. Directed by Ahmed Khan who was right out of the success of Baaghi. But it didn’t do too well. My process of picking a film is like a split-personality disorder. Every time 

I pick a film, I question it a hundred times.”  

Speaking about her experience working with Pankaj Tripathi in Kadak Singh, she states, “I treat him as acting royalty. When I got this film, no part of me believed it. I had to go shoulder to shoulder with him in every scene so I was like I don’t know if I have it in me. But, the ease with which I could perform with him was all because of him. The advice he gives you, the space he gives you, the respect he gives you, it all adds up well. If every co-star would be like that then it would be a whole other story.” She feels that Kadak Singh should have met with a better response and is disappointed that it didn’t get the numbers the makers were hoping for. “I loved what I did with my character in that film. Internal industry feedback was great but to get that kind of feedback from the audience was something I missed out on. I hope it could reach more people.”

Coming back to the current reality, she reflects that today a big star can have two films coming out within two months, and one can do really well while the other might not. The star system is also being questioned. Reflecting on the industry’s evolution post-COVID, Sanjana thinks that in these four years, from 2020 to 2024, there has been more of a conflict than ever before. She went into a phase where her debut film was one of the first ever to be released on OTT. She did not have a template of how it should feel like to make a debut on OTT. “When I had signed Dil Bechara, it was supposed to be a big theatrical release. I didn’t know what a hundred and seventy million people watching something in their homes meant. And I didn’t know much about it till the pandemic started opening up and I couldn’t take a step outside my house without someone recognising me. And I realised that these numbers are real and I think we went into this two-year-long journey during the pandemic where everything changed. The goal posts got realigned.”

Discussing the pressures of social media she notes that 10 million views on a reel doesn’t mean that one will get 10 million views on your trailer. “You might look stunning in a reel and that might give you popularity or brand endorsements due to high engagement. But that’s about it. No one is going to cast you to lead a film as an actor just because you’re relevant on social media. They might take you for a song to attract those eyeballs, but not as a lead actor.” She further adds that being active on social media can take up a lot of time and space in an actor’s life and can dim the aura of a film star. Being over-exposed to the audience might make an actor irrelevant. She believes that her fans are seeing her on social media every day for free, they might not be interested in coming to the theatres to watch her after paying good money.
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Exclusive: Sai Tamhankar on Bhakshak buying a new home and more
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Exclusive: Sai Tamhankar on Bhakshak buying a new home and more

Sai Tamhankar is a versatile and dynamic actress celebrated for her compelling performances across various Indian film industries. Known for her candidness and relentless work ethic, Sai has made a significant mark with her recent role in the critically acclaimed film Bhakshak. Balancing her career with an unyielding hustle, she remains grounded by her close-knit relationships, especially with her mother, who is her biggest critic and source of inspiration. Sai’s diverse portfolio spans multiple languages, and she continues to push boundaries with every project. Beyond acting, she is deeply influenced by Aamir Khan and champions the importance of equal pay in the industry. Her unique style and love for life’s simple pleasures, like monsoon chai and bhajias, make her a relatable and admired figure in Indian cinema.

Bhakshak has received rave reviews. How was it working on it?
The film was led by women, which is a major reason why I played this part. Apart from this, I feel the subject of the film is something that should be talked about. It was daring and courageous, and it is not every day that one gets to be a part of such projects.

When one is a part of films with gruesome realities at their heart, how does an actor draw a boundary or detach themselves?

It does affect you 100 per cent. This is the flip side of being an actor. Sometimes your mind stays there; you loiter and linger in that space, and it does bother you. But, you know, to earn something, you have to lose something. I personally enjoy this process because I am also someone who romanticises pain. No complaints.

In a lot of interviews, you’ve said that you are afraid of being complacent…
I intend to work until my hands and legs stop working. Yes, it is a mindset. As you grow, you progress, and you taste success, you have to slog even more. It’s a myth that when one achieves success, one can stop slogging. You have to slog in departments you haven’t slogged in before. If one kind of slogging stops, another kind of slogging begins. Hustling is non-stop in life. Life is unpredictable, and one doesn’t know what is about to happen tomorrow, and that’s the beauty of it.

When does a star know they’ve arrived?
Well, I don’t think I have arrived yet. There is still a long way to go.

What are the things that you still struggle with as an actor?
Life was simpler before stardom. You did not overthink what you were choosing; you were allowed to make mistakes. Now it feels like a lot is at stake. Even if you make one mistake, things can go haywire. Previously, I could say what I wanted to; no one would take it seriously. Now, when you say something, it has the power to affect people. It’s a great responsibility.

You often mention that you are someone who values her bonds with people immensely. Which three bonds are the closest to you?
The bond that you have with your team is very important, especially in our profession. I’m grateful that I have had amazing people around me. I have a great bond with my friends. And my mother, we share a complicated, layered, and funny bond. But, I value it a lot.

Your mother has been a single parent for years. Is there something specific about her that bothers or triggers you?
Well, things have really changed over time. Now, there is nothing that puts me off about her. In fact, I just have one complaint. My mother is my biggest critic. She is very hard to please. So, when she tells me I have done a good job, it is a big relief.

When was the last time she said that you’ve done well?
Let me see if I can remember. Oh yes! Recently, I bought a new house, and she was extremely proud of me. For her, I am Miss World. That’s the case with most mothers, though; everyone thinks their daughter is Miss World and everyone else is insignificant.


You spoke about your new house; you recently also bought a new car… What’s the next big dream?
Maintaining this lifestyle. Practically, to just be able to maintain it honestly. Also, my next big dream is that I want the entire world to watch my performance. I feel every artiste dreams this dream.

Talking about your upcoming projects, you have Agni, Dabba Cartel, and Ground Zero. How are they different and what can we expect from them?
Dabba Cartel is a very interesting web series. You will see me doing something that I haven’t done before. I am super stoked about it. Ground Zero is with Emraan Hashmi; it is a very interesting script. Although I have a very small part to play in it, I am sure it’ll be impactful. Emraan is a very shy person, and he is so different from his public personality. He’s really warm, and he takes time to open up, but when he does, he’s really a chill person. Agni is with Divyenndu Sharma and Pratik Gandhi. They are both supremely talented actors. I had a ball performing with Pratik. I am so glad that he is getting such lovely opportunities; I just wish he keeps growing.

Are there any specific things that you aspire to do this year?
I want a washboard stomach for sure. That’s on the top of my list. I also want to go to a holiday spot that I have never been to before. It’s been too long since I took a holiday, so that’s second on my list. And, sign a big project before the year ends.

You often mention the impact of Aamir Khan in your life and that you really adore him. What’s the story behind that?
I used to tell my mother that in their religion, two marriages are allowed. I told everyone, including my mother, that when I grow up, I’ll marry him. You know, the universe has its ways. We got to work together so early on in my career, whether it was for Paani Foundation or in Ghajini. I wish to work with Aamir Khan in any way that it’s possible. In any capacity, not just as an actor. He is a very sharp person, and his energy is infectious. It makes you want to do good work. So yes, I would definitely want to work with him.

Do you feel because of OTT platforms people are viewing content in several languages and not just their native one?
Yes, most definitely. We are consuming all kinds of content now, which wasn’t possible earlier. Rarely did people find links to movies from different languages and watch them. Now, it’s just a click away. Anybody and everybody has access to world cinema. And because of this, healthy competition has come into the picture. People have also become way more adventurous with the kind of films they want to make or bankroll. It’s a good sign.

You’ve worked on projects in different languages; what’s the one thing that is similar everywhere?
Pay inequality between male and female actors exists everywhere. And no one knows what to do about it. I’m glad Priyanka Chopra Jonas recently received the amount equivalent to her male co-star. At least it’s starting somewhere. It’s like a ray of hope for all us girls. Also, another thing is that at the end of the day, everyone just wants to make a good film.

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