A bomb threat message on a car outside Sanjay Raut’s Mumbai home triggered a police and BDDS search. No explosives found, car seized, and investigation launched.
The accused had been on the run since December 15, following a brutal assault in Dholpur that sparked widespread public outrage.
The second anniversary of the Ram Mandir Pran Pratishtha Dwadashi is being observed as a moment of deep cultural and spiritual reflection across Ayodhya and beyond. Marked in close spiritual alignment with Ekadashi and Dwadashi, the occasion carries a quiet sanctity, rooted in devotion, remembrance, and continuity. These days in the Hindu calendar are traditionally associated with restraint, inward reflection, and a gentle turning of the mind towards faith, making the anniversary not just ceremonial, but contemplative in spirit. Ayodhya, long regarded as the spiritual heart of the Ramayana tradition, continues to stand as more than a physical city. It represents an idea of dharma, compassion, and balance that has lived through centuries of storytelling, prayer, music, and everyday cultural practice. The Ram Mandir, consecrated through the Pran Pratishtha ritual, symbolizes this continuity, where faith is not newly created, but consciously renewed.
On this occasion, writer and cultural chronicler Rhythm Wagholikar shared photographs from his visit to Ayodhya last year, offering a personal reflection on the enduring presence of Shri Ram and the quiet emotional imprint of the city. In his message, he shared: “The second anniversary of the Ram Mandir Pran Pratishtha Dwadashi. Ayodhya gave me a lot. Something more than moments to remember. It added to my perspective and purpose. Memories that stayed softened my thoughts and deepened my love for Shri Ram. Just a feeling that settled gently and chose to remain. Some places do that to you. They change something deep within you….they simply walk alongside you long after you have left. Grateful, always.”
Rhythm Wagholikar is known for his reflective writing on culture, spirituality, and lived Indian traditions. As a cultural chronicler, his work often blends personal experience with broader civilizational themes, approaching faith not as spectacle, but as something quietly felt and deeply lived.
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