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You Are Ms. Servant Episode 4: Release Date, Where To Stream, Expected Plot And More
onmynews.com

You Are Ms. Servant Episode 4: Release Date, Where To Stream, Expected Plot And More

The last episode of You Are Ms. Servant introduced fans to Riko, Hitoyoshi’s younger sister, who quickly takes to Yuki. The three of them then attended a summer festival, where Yuki decided to become Hitoyoshi’s classmate. 

Don’t miss You Are Ms. Servant Episode 4 to learn more about how Hitoyoshi manages to conceal Yuki’s true identity as his maid as she begins school with him. Keep reading to find out the release date, the expected plot, and more details.

You Are Ms. Servant Episode 4: Release date and where to stream

You Are Ms. Servant Episode 4 is set to air in Japan on Sunday, October 27, 2024, at 1:30 am JST. International viewers can watch it earlier, on Saturday, October 19, 2024, though release times may vary by region.

In Japan, the episode will first be broadcast on 24 TV Asahi-affiliated stations, followed by additional airings on AT-X and BS Asahi. Fans in Japan can stream the anime on platforms like ABEMA, d Anime Store, U-NEXT, Anime Hōdai, and Bandai Channel. 

Internationally, You Are Ms. Servant Episode 4 will be available on Crunchyroll, Hulu, and Amazon Prime Video, with Medialink streaming it in South and Southeast Asia, as well as Oceania (excluding Australia and New Zealand) on the Ani-One Asia YouTube channel.

Expected plot in You Are Ms. Servant Episode 4

As per the anime’s official website, You Are Ms. Servant Episode 4 will be titled ‘You Won’t Escape.’ The episode is set to follow Yuki as she adapts to life at Hitoyoshi’s high school, thanks to Riko’s arrangements. Under the guise of being Hitoyoshi’s cousin, ‘Yokoya Yuki,’ she joins his class.

Yuki will quickly begin participating in school activities, such as the Katsuta bread competition, and start to fit in with her new peers. However, a mishap will lead Hitoyoshi to the school infirmary, where he will meet a new, mysterious substitute nurse named Nitta. Yuki will perceive the woman’s presence as a potential threat in You Are Ms. Servant Episode 4.

You Are Ms. Servant Episode 3 recap

You Are Ms. Servant Episode 3, titled ‘You are Ms. Yuki,’ sees Hitoyoshi’s sister, Riko, arrive, bringing a new dynamic to the household. Initially captivated by Yuki’s appearance, Riko becomes fascinated by her history as a former assassin.

She decides to make Yuki the focus of her summer vacation project, interviewing her to learn about her past life. The three come across a flyer for a local summer festival and decide to attend. At the festival, Yuki and Riko grow closer, while Yuki enjoys the festivities without worrying about her past.

As they head home, a thief on a motorcycle targets Riko, but Yuki intervenes. She pursues the thief, puncturing his bike’s tire, and calls it ‘divine punishment’ as she stops him without resorting to lethal force in You Are Ms. Servant Episode 3.

This experience and a conversation with Riko led Yuki to consider enrolling in school. You Are Ms. Servant Episode 3 concludes with Yuki unexpectedly joining Hitoyoshi’s class as a new transfer student after the summer break. 

For more updates from the You Are Ms. Servant anime, keep up with Pinkvilla.

*The release dates and times provided are accurate at the time of writing and are subject to change at the discretion of the creators.

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AR Rahman speaks out against song remakes, says ‘You can’t reimagine people’s work without their permission’
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AR Rahman speaks out against song remakes, says ‘You can’t reimagine people’s work without their permission’

AR Rahman was recently roped in for an interview with The Week where the master craftsman revealed his displeasure with modern filmmakers remaking old songs and calling them reimaginations.

In the interview, AR Rahman said, “I believe in always following certain ethics. You can’t take a song from a movie and use it in another movie six years later, saying you are reimagining it. You can’t reimagine people’s work without their permission.”

Continuing on the same, the musical maestro also added how people can use such remade tracks and post them on social media but should not make it mainstream. Moreover, the composer also made comments on how AI is being misused by makers which could lead to bigger problems in the future.

The music composer said that by using AI, the makers are not actually paying the original composers whose style they’re borrowing for their own crafts. ARR claims that such instances cause major ethical issues which could even result in people losing jobs.

AR Rahman mentioned that while Artificial Intelligence can certainly assist in the mastering of songs, the creation of music still requires a human touch and a thoughtful perspective. He also expressed his belief that in the future, audiences will gravitate more towards authentic musicians who perform live with just a guitar and their songs, rather than relying solely on digital production, emphasizing that we will come to appreciate the imperfections even more.

Within the same conversation, AR Rahman also addressed why he himself used AI to recreate the voices of late singers Bamba Bakya and Shahul Hameed. The composer said that Aishwaryaa Rajinikanth wanted a folk voice for a song in Lal Salaam which is when the composer wished for a voice like Shahul’s. Upon thinking about the same, they contacted the families of the late singers and compensated them fairly for allowing them to use their voices.

AR Rahman was last seen composing the tracks and scores for the Dhanush starrer movie Raayan. The composer is next set to be seen working in the films Genie, Thug Life, Kadhalikka Neramillai, and Suriya 45 in Tamil.

Moreover, the musician would also be part of upcoming movies like Chhaava, Tere Ishk Mein, Ram Charan’s RC16, and Ranbir Kapoor starrer Ramayana.

ALSO READ: When Rajinikanth revealed HOW Amitabh Bachchan helped him get Andhaa Kanoon: ‘They initially wanted Mithun Chakraborty’

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Pak Drones Used To Supply Guns? New Details In Baba Siddique Murder Case
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Pak Drones Used To Supply Guns? New Details In Baba Siddique Murder Case

Four, and not three, guns were used in the murder of Maharashtra politician Baba Siddique, who was shot dead earlier this month sending shock waves across the country, investigation has revealed, said Mumbai police on Friday.  

The Mumbai police is investigating if the guns were sent to India by Pakistan via drones, the source added. The picture of the guns was also sent to Rajasthan police. 

Baba Siddique, the Ajit Pawar-led Nationalist Congress Party leader, was gunned down on October 12 near his MLA son Zeeshan Siddique’s office in Nirmal Nagar in Bandra East. 

Jailed gangster Lawrence Bishnoi’s gang has claimed responsibility for the murder. 14 people have been arrested in the case, while three are on the run.

As per police, Haryana resident Gurmail Baljit Singh and Uttar Pradesh native Dharmaraj Kashyap as well as wanted accused Shivkumar Gautam shot at Baba Siddique, while Pune-based Pravin Lonkar’s brother Shubham is allegedly associated with jailed gangster Lawrence Bishnoi. He and other wanted accused had conspired to carry out the hit and supplied firearms to the shooters.

The three shooters threw chilli powder at the police officer guarding Siddique before killing him.

Harish Kumar Nisad, a scrap dealer from Pune, provided financial help for the operation, as per police.

Main shooter Shivkumar Gautam as well as key accused Shubham Lonkar and Mohammed Zeeshan Akhtar are currently on the run.

The main accused Zeeshan Akhtar was in touch with all the other accused and had promised them big money and a foreign tour upon completion of the task, police sources told NDTV. 

In a crackdown on the Lawrence Bishnoi gang, the Delhi Police Special Cell has arrested at least seven suspected shooters who were planning to target someone in Rajasthan, officials said today. 

The Bishnoi gang is known to be involved in various criminal activities, including homicide, extortion, and arms trafficking, and their profile has been on the rise over the past few years.

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