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Gandhi Jayanti Watchlist: Eight Films That are based on The Father of The Nation
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Gandhi Jayanti Watchlist: Eight Films That are based on The Father of The Nation

Few historical figures have proven as difficult to capture on screen as Mohandas Karamchand Gandhi, a man who spun thread, fasted for peace and somehow became the moral conscience of a nation twice over, once in life, and again every time an actor has dared to play him. Indian and international cinema has circled him for over four decades now, sometimes reverently, sometimes combatively, always aware that the role comes with a weight few performances can bear. This Gandhi Jayanti, here are eight films worth revisiting, each offering a different lens on the man the world calls Bapu.

 

Gandhi (1982)

Director: Richard Attenborough

Cast: Ben Kingsley, Candice Bergen, Edward Fox, John Gielgud, Rohini Hattangadi

Gandhi Movies

The film that set the template, and arguably still the one by which every other is measured. Ben Kingsley’s Academy Award-winning performance remains the definitive cinematic Gandhi for most of the world, tracing his journey from a young lawyer humiliated on a South African train to the architect of a nation’s independence. Attenborough shot it as grand historical epic, but its quietest moments, Gandhi at his spinning wheel, Gandhi in silence, land hardest.

 

Lage Raho Munna Bhai (2006)

Director: Rajkumar Hirani

Cast: Sanjay Dutt, Arshad Warsi, Vidya Balan, Boman Irani, Dilip Prabhavalkar

Gandhi Movies

Proof that Gandhi’s philosophy could survive a Bombay gangster comedy and come out stronger for it. Dilip Prabhavalkar’s gentle, twinkly-eyed Gandhi, who appears only to a bemused Munnabhai, turned “Gandhigiri” into a cultural phenomenon and introduced an entire generation to satyagraha through laughter rather than lecture. It remains the rare film that made Gandhian thought feel contemporary.

 

Gandhi, My Father (2007)

Director: Feroz Abbas Khan

Cast: Darshan Jariwala, Akshaye Khanna, Shefali Shah, Bhumika Chawla

Gandhi Movies

The most unflinching film on this list, because it refuses to look away from the cost of greatness. Darshan Jariwala’s Gandhi is seen entirely through the eyes of his estranged eldest son Harilal, played with aching restraint by Akshaye Khanna, a man destroyed by the impossibility of living up to his father’s legend. It is less a biopic than a tragedy, and it does not let the Mahatma off easy.

 

The Making of the Mahatma (1996)

Director: Shyam Benegal

Cast: Rajit Kapur, Pallavi Joshi

Gandhi Movies

Before he was the Mahatma, he was simply Mohandas, a young, uncertain lawyer arriving in South Africa in 1893. Benegal’s film, an Indo-South African co-production, is the rare one that treats Gandhi’s 21 years abroad, and the racial humiliations that radicalised him, as the real origin story. Rajit Kapur plays him not as icon but as a man still becoming one.

 

Hey Ram (2000)

Director: Kamal Haasan

Cast: Kamal Haasan, Shah Rukh Khan, Rani Mukerji, Naseeruddin Shah, Vasundhara Das

Gandhi Movies

The most audacious film here, and the most divisive. Kamal Haasan’s fictional protagonist is radicalised after the Partition riots and sets out to assassinate Gandhi himself, only to be transformed by a final, fateful encounter with the man he meant to kill. It is less about Gandhi than about the hatred his philosophy stood against, which perhaps makes its point more sharply than reverence ever could.

 

Sardar (1993)

Director: Ketan Mehta

Cast: Paresh Rawal, Annu Kapoor

Gandhi Movies

Ostensibly a biopic of Sardar Vallabhbhai Patel, but its real power lies in how it reframes Gandhi, played here by Annu Kapoor, through the eyes of his most pragmatic lieutenant. Watching Gandhi’s idealism collide with Patel’s realism, especially over Partition and the integration of princely states, offers a sharper political portrait than most films attempt.

 

Maine Gandhi Ko Nahin Mara (2005)

Director: Jahnu Barua

Cast: Anupam Kher, Urmila Matondkar

Gandhi Movies

A film about Gandhi without really being about him at all. Anupam Kher plays a retired Hindi professor whose encroaching Alzheimer’s convinces him that he, not Nathuram Godse, is responsible for the Mahatma’s assassination. It is a meditation on memory, guilt and inherited national trauma, with Gandhi functioning as a ghost at the edge of every frame.

 

Gandhi Godse: Ek Yudh (2023)

Director: Rajkumar Santoshi

Cast: Deepak Antani, Chinmay Mandlekar

Gandhi Movies

The most recent, and most contested, entry on this list. Santoshi’s film imagines an alternate history in which Gandhi survives the assassination attempt, setting up an extended ideological confrontation between Gandhi, played by veteran stage actor Deepak Antani, and his killer Nathuram Godse. It courted controversy on release for the space it gives Godse’s arguments, which makes it essential, if uneasy, viewing for anyone interested in how India continues to argue with its own history.

 

Eight films, eight different Gandhis: saint, father, ghost, provocation. Perhaps that is the truest tribute cinema can offer a man who never claimed to be anything more than an ordinary human attempting the extraordinary.

 

Also Read: Ghamasaan Movie Review: An Interesting Experiment for Sure

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Digger: Alejandro G. Iñárritu explains why he shot Tom Cruise starrer entirely in VistaVision
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Digger: Alejandro G. Iñárritu explains why he shot Tom Cruise starrer entirely in VistaVision

Ahead of the theatrical release of Digger, starring Tom Cruise and directed by Academy Award-winning filmmaker Alejandro G. Iñárritu, the film’s distinctive use of VistaVision took centre stage at a special session hosted at Whistling Woods International. Cinematography students had the opportunity to attend a screening of the film, followed by a masterclass conducted by faculty members, with Digger used as a case study to explore the format and its application. Shot entirely in VistaVision, the film marks a rare contemporary use of the large-format filmmaking technique, with Iñárritu and his team using specially crafted lenses to shape

its visual language, depth and detail.
The masterclass examined the technical and creative choices behind the film, including lenses, framing, composition, scale and image detail, while looking at what VistaVision brings to the theatrical experience. With Cruise at the centre of the film as Digger Rockwell, the format forms an integral part of Iñárritu’s approach to building Digger for the big screen.
On the creative thinking behind Digger, Alejandro G. Iñárritu has shared insights into the film’s visual language, its use of VistaVision and his collaboration with cinematographer Emmanuel “Chivo” Lubezki. Speaking about the visual language of Digger, Alejandro G. Iñárritu said, “Films usually tell you exactly where to look. We tried to do the opposite—everything is telling the story, rewarding your curiosity. Every corner of each frame is alive. Nothing is in there without a reason. You can wander through the image, because sometimes the most important thing is quietly happening in a corner, waiting to be noticed. Our design, frames and colour temperatures were inspired by classical painters: Hammershøi, McNeil, Whistler, Vermeer and Rembrandt. Las Meninas of Velázquez. I had hundreds of images of these paintings in my office and Chivo and I studied deeply.”
Speaking about working with cinematographer Emmanuel “Chivo” Lubezki and the decision to shoot Digger in VistaVision, Alejandro G. Iñárritu said, “Chivo is a brother, a friend and a collaborator of 35 years—the first time I shot with him I was 28 years old. He is an artist and I can’t think of anybody who better understands the nature of light and photography at that level. We had determined to use VistaVision, which is very complicated, and for the first time ever, Chivo and I were allowed to mount the new wide vintage Leica lenses, designed specifically for the film, to achieve the effect we needed visually. Everything looks different through VistaVision, so it was a challenging and complex shoot. I’ve always said that big format doesn’t matter, and then I go with this format, however, we did something contrary to the reason VistaVision was made by having a 1:5 ratio, and it’s a beautiful thing. It’s scale.”

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Cruise stars in the title role alongside Oscar winner Riz Ahmed, John Goodman, Oscar nominee Sandra Hüller, Michael Stuhlbarg and Oscar nominee Jesse Plemons. Robert John Burke, Emma D’ Arcy, Burn Gorman and Sophie Wilde also star.
Iñárritu directed from a screenplay by Alejandro G. Iñárritu and Oscar winners Alexander Dinelaris and Nicolás Giacobone, and Sabina Berman, from a story by Iñárritu and Berman. The film is produced by Iñárritu, Oscar nominee Mary Parent, Tom Cruise and Michael Sharp, and executive produced by Joshua Grode, Sabina Berman, Alexander Dinelaris, Nicolás Giacobone, Jez Butterworth and Emmanuel Lubezki.

Digger

Joining Iñárritu behind the camera are previous collaborators including Oscar-winning director of photography Emmanuel Lubezki; editors Conor O’Neill and Oscar winner Stephen Mirrione; Oscar-nominated costume designer Jacqueline West; Oscar-winning makeup and hair designer Alessandro Bertolazzi; and Oscar-nominated casting director Francine Maisler; alongside Oscar-winning production designer Dennis Gassner and production designer Richard Johnson, Oscar-winning prosthetic makeup designer Kazu Hiro, and composer Cosmo Sheldrake.
An Alejandro G. Iñárritu Film, Digger was shot entirely in VistaVision and will be released in Cinemas and IMAX across India on 2nd October 2026. The film will be distributed by Warner Bros. Pictures.

Also Read: Alejandro Iñárritu Reveals The Unusual Journey Behind Tom Cruise’s Digger

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Ranabaali Trailer Likely On October 8 Divine Element Nearly Confirmed
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Ranabaali Trailer Likely On October 8 Divine Element Nearly Confirmed

Vijay Deverakonda’s Ranabaali is inching closer to its trailer launch. Buzz suggests that the trailer will arrive on October 8, a full week before the film hits theatres on October 16.

Titular character and the real-life references

Vijay, known for Arjun Reddy, plays Singanamala Bobbili Ranabaali. The character is modelled on the 19th-century Palegars of Rayalaseema. Names such as Budda Vengal Reddy, Uyyalawada Narasimha Reddy and Gadekal Bobbili Nagireddy have been cited by the makers. They were chieftains and local rebel leaders whose stories continue to be narrated by Seema folk singers to this day.

ranabaali release date

“People sing legends about them even today,” director Rahul Sankrityan says. The Shyam Singha Roy maker began with Nagireddy’s persona. Nagireddy was a consummate horse rider. Legend has it that he could communicate with deities, and he was killed in a conspiracy. This could suggest that Vijay’s character, too, may become a martyr as a result of a conspiracy.

Another chieftain, whose life has partially inspired the character, was known as a philanthropist of sorts. The director drew inspiration from their macho and muscular personas while shaping Ranabaali.

The supernatural element

The film is now nearly confirmed to carry a supernatural element, considering Nagireddy’s real-life story has been used in building Vijay’s character. The teaser hinted at it, too. A major stretch of the film is expected to bring in the divine, adding another layer to the rebellion saga.

Ranabaali first single

The story unfolds in the 1870s, when a severe famine had struck the Madras Presidency. The suffering of the people under British rule forms the backdrop. One highlight is reportedly a 16-minute episode leading up to the climax. It is said to be among the most anticipated stretches of the film. Expect the trailer to offer a glimpse of the scale of this rebellion.

Rashmika Mandanna plays the female lead, and her character, too, is a fictional protagonist. The song Endhayya Saami brought out the sensuous chemistry between the lead pair. The Ajay-Atul duo, known for composing the music of Adipurush, has scored the film’s soundtrack.

Also Read: Rashmika Mandanna, Vijay Deverakonda’s Ranabaali Has a BTS Documentary Series

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