Mohan Bhagwat has emphasised that intolerance is anti-India, urging respect for all religions and embracing diversity. He also highlighted that dharma is the essence of India’s identity.
Rajkummar Rao is making headlines for his latest release, Vicky Vidya Ka Woh Wala Video, co-starring Tripti Dimri. The comedy film opened with Rs 5.25 crore net at the Indian box office and took over the 5th biggest start for the actor. Here’s taking a look at the top Rajkummar Rao Day 1 Box Office Openers in India.
Stree 2, hands down, rules the charts with Rs 52.50 crore net box office collection on its first day. The much-loved horror-comedy has not only taken the biggest start for Rajkummar Rao but also emerged as the 3rd biggest Bollywood opener after Shah Rukh Khan’s Jawan and Pathaan.
The 2nd spot belongs to Talaash, starring Aamir Khan in the lead, while Rajkummar Rao played a supporting role. The 2012 released mystery thriller opened with Rs 12.78 crore net at the Indian box office. Mr and Mrs Mahi, starring Rajkummar Rao and Janhvi Kapoor, took the 3rd biggest start for the actor with Rs 6.75 crore, thanks to Cinema Lovers Day, where ticket prices were slashed to flat rates of Rs 99 in standard formats across the nation.
The fourth spot belongs to the 2018 movie Stree, which marked the beginning of Maddock Films’ popular horror-comedy universe and also includes Munjya and Bhediya. The Amar Kaushik directorial opened with Rs 6.62 crore and went on to cross the Rs 100 crore mark by the end of its theatrical run. It was the last big hit for Rajkummar Rao before Stree 2 wrote history at the box office.
The latest venture of Rajkummar Rao, Vicky Vidya Ka Woh Wala Video, directed by Raaj Shandilyaa, has taken an average start of Rs 5.25 crore. It will be interesting to see how it fares further in the coming days.
Stree 2: Rs 55 crore
Talaash: Rs 12.78 Crore
Mr and Mrs Mahi: Rs 6.75 crore
Stree: Rs 6.62 crore
Vicky Vidya Ka Woh Wala Video: Rs 5.25 crore
Hamari Adhurii Kahani: Rs 4.99 crore
Raabta: Rs 4.63 crore
Judgementall Hai Kya Rs 4.54 crore
Kai Po Che Rs 3.68 crore
Ek Ladki Ko Dekha To Aisa Laga Rs 2.86 crore
Disclaimer: The box office figures are compiled from various sources and our own research. The figures can be approximate, and Pinkvilla does not make any claims about the authenticity of the data. However, they are adequately indicative of the box-office performance of the films in question.
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As Dussehra arrives, the vibrant celebrations marking the victory of good over evil come to life, epitomized by the burning of effigies of Ravana, Meghnath, and Kumbhakarna. This age-old tradition, especially evident during Ramlila performances, connects deeply with the epic Ramayana. Bollywood has long embraced these themes, incorporating references to Raavan into its storytelling. From cunning villains to subtle nods in dialogues, filmmakers have masterfully drawn inspiration from this timeless narrative, enriching their characters and plots.
Adipurush, directed by Om Raut, is a bold retelling of the Ramayana, bringing epic characters to life in a modern cinematic experience. Prabhas stars as Lord Ram, showcasing strength and righteousness, while Saif Ali Khan embodies Lankesh, a nuanced interpretation of the formidable Ravana. The film dives deep into the complexity of good versus evil, with Kriti Sanon portraying Sita, who endures trials that highlight her resilience.
In Raavan (2010), director Mani Ratnam reimagines the Ramayana through the eyes of its notorious anti-hero, Beera, played by Abhishek Bachchan. This modern twist on the epic explores the complex dynamics of love and rivalry as Beera kidnaps Ragini, a police officer’s wife, portrayed by Aishwarya Rai Bachchan.
While on the surface, Beera embodies the traits of Ravana, his character unfolds with unexpected depth, revealing emotional vulnerabilities that challenge conventional villainy. As Ragini navigates her feelings for her captor, the film blurs the lines between good and evil, inviting audiences to reconsider the classic tale’s moral dimensions.
Ravan Raaj: A True Story (1995) delves into the grim underbelly of Bombay City, where crime and corruption reign supreme, evoking the dark legacy of the mythological Ravana. The film follows former Assistant Commissioner of Police Arjun Verma, who battles against an insidious crime syndicate led by the villainous Auto Kesariya (played by Shakti Kapoor), a character that embodies the ruthless traits of Ravana. Just as Ravana ruled with an iron fist, Kesariya exploits the vulnerability of the innocent, orchestrating a series of kidnappings and heinous crimes that leave the city in chaos.
As Arjun uncovers the shocking truths behind the disappearances, including skeletal remains and stolen body parts, he finds himself in a perilous fight against powerful politicians and corrupt police officials, mirroring the epic struggle of Rama against Ravana’s tyranny.
In Ra.One (2011), director Anubhav Sinha reimagines the Ramayana through a thrilling sci-fi lens. Arjun Rampal stars as the menacing Ra.One, a character reminiscent of Ravana, who emerges from the digital realm to challenge the forces of good. With Shah Rukh Khan as the heroic G.One and Kareena Kapoor Khan as his love interest, the film combines star power with an engaging storyline.
Ra.One’s dramatic entrance against a backdrop of a burning Ravana effigy symbolizes the eternal struggle between light and darkness. This innovative blend of mythology and modern technology not only adds depth to the narrative but also provokes thought on themes of power and morality, making Ra.One a unique cinematic experience that bridges ancient tales with contemporary storytelling.
In Main Hoon Na (2004), Suniel Shetty takes on the role of Raghavan Singh Dutta, an antagonist whose villainy evokes the legendary demon king Ravana. Directed by Farah Khan, this action-comedy blends romance and drama against a backdrop of India-Pakistan tensions.
Raghavan’s ruthless ambition and manipulative nature reflect Ravana’s dark traits, setting the stage for a clash with Major Ram Sharma, played by Shah Rukh Khan. As the film unfolds, it cleverly weaves elements of the Ramayana into its narrative, highlighting the timeless struggle between good and evil while delivering an entertaining mix of action and humor.
In Rudraksh (2004), director Mani Shankar reinterprets the Ramayana through a modern lens, featuring Sanjay Dutt as Varun, a character that mirrors the complexities of Ravana. The film revolves around Varun’s quest for the mystical Rudraksha, a relic left behind by Ravana, and showcases themes of power, devotion, and morality.
With Suniel Shetty as a devoted seeker, the narrative explores the fine line between good and evil, posing thought-provoking questions about contemporary villainy. Featuring a stellar cast, including Bipasha Basu and Isha Koppikar, Rudraksh effectively blends mythology with action, creating a unique cinematic experience that resonates with age-old tales.
Mardaani (2014) features Rani Mukerji as ACP Shivani Shivaji Roy, a fierce female cop tackling the grim reality of human trafficking. Her battle against the charismatic yet ruthless Karan Rastogi, played by Tahir Raj Bhasin, draws powerful parallels to the epic fight against Ravana from the Ramayana.
Just as Rama confronted Ravana’s tyranny, Shivani takes on Karan, whose manipulative and cruel nature reflects the demon king’s dark legacy. The film not only thrills with its gripping narrative but also serves as a bold commentary on the ongoing struggle for women’s rights, making Shivani a modern-day heroine in a world overshadowed by evil.
Ek Villain (2014) masterfully weaves a tale of love, loss, and revenge, drawing intriguing parallels to the mythological figure of Ravana from the Ramayana. In this gripping narrative, Riteish Deshmukh portrays a complex antagonist whose obsession with love spirals into a dark quest for vengeance, reminiscent of Ravana’s infamous abduction of Sita.
In Ek Villain Riteish commits heinous crimes, including the murder of the female lead. The film explores the duality of human emotions, showcasing how love can transform into an obsession that results in chaos and destruction. This modern reimagining of Ravana’s narrative serves as a poignant reminder of the eternal battle between good and evil.
This Dussehra, as we celebrate the triumph of light over darkness, let’s reflect on how Raavan’s legacy continues to shape Bollywood’s villains. These characters, often embodying his traits, not only entertain but also remind us of the moral complexities inherent in the battle between good and evil. As we enjoy the festivities, let’s appreciate the cinematic interpretations that keep this age-old tale alive in our hearts and minds.
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