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Mari Selvaraj Praises Karthik Subbarajâs Dorothy: âA Film That Gave Me Immense Satisfactionâ
onmynews.com

Mari Selvaraj Praises Karthik Subbarajâs Dorothy: âA Film That Gave Me Immense Satisfactionâ

Director Mari Selvaraj has heaped praise on Karthik Subbaraj’s Dorothy, describing the film as a deeply satisfying cinematic experience and applauding its focus on lives and emotions that deserve greater representation on screen.

Taking to X on Wednesday, Mari revealed that he had watched the film only recently, admitting that his viewing came “very late”. Despite that, the filmmaker said Dorothy left a lasting impression on him. “Today I watched Dorothy. It was very late, but it was a film that gave me immense satisfaction,” he wrote.

Mari went on to explain what resonated with him about the film. According to the filmmaker, Dorothy succeeds in bringing to the forefront the kind of people and experiences that filmmakers often hope to see represented more openly in mainstream cinema. He particularly appreciated the manner in which the film engages with the emotional lives of its characters, including their stories, pain, desires, betrayals, dreams and hopes.

The filmmaker also praised the film for documenting these lives without softening or filtering their experiences. His appreciation points towards one of Dorothy’s central strengths, its willingness to examine people who exist outside conventional ideas of masculinity, identity and social acceptance, while allowing their emotions to remain at the heart of the narrative.

Mari also credited Karthik Subbaraj for bringing such a story to the screen and singled out Ilaiyaraaja’s music for its contribution to the film. He concluded his note by extending his wishes and affection to Subbaraj, Ilaiyaraaja and the entire team behind Dorothy.

Dorothy Finds Support From Across The Film Fraternity

The appreciation comes as Dorothy continues to attract attention from prominent voices within the Tamil film industry. Written and directed by Karthik Subbaraj, the film marks his 10th directorial and centres on the friendship between Karthi and Subbu, played by Rishikanth and Sananth respectively. Their lives are transformed by the arrival of Dorothy, portrayed by Keerthy Suresh.

Set against the rural landscape of Madurai, Dorothy explores friendship, masculinity, gender identity, violence and acceptance, while examining the social expectations that dictate how individuals are expected to behave and live. The film also marks Karthik Subbaraj’s first collaboration with veteran composer Ilaiyaraaja, whose music has emerged as one of its most discussed elements.

Dorothy had its world premiere at the Toronto International Film Festival in September, becoming the first Tamil feature to premiere at TIFF in a decade. The film’s festival screening was met with a standing ovation, adding to the attention surrounding the project even before its wider release.

Mari is not the only filmmaker or actor to have responded warmly to the film. Suriya had earlier praised Dorothy for addressing a subject that is rarely explored openly in mainstream cinema. He also highlighted the performances of Keerthy Suresh, Sananth and Rishikanth, along with Ilaiyaraaja’s music. Mammootty, Mani Ratnam and Dhanush are among the other prominent names from the film fraternity who have expressed their appreciation for the film.

With Mari Selvaraj now joining that list, Dorothy continues to find support for its attempt to place unconventional lives and complex emotional experiences at the centre of a mainstream Tamil film.

Also Read: When Balakrishna Met Geopolitics: Iran Embassy Shares Bhagavanth Kesari Action Scene

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Nana Patekar To Be Seen For The Last Time In Shakti Shalini Alongside Aneet Padda
onmynews.com

Nana Patekar To Be Seen For The Last Time In Shakti Shalini Alongside Aneet Padda

The veteran actor Nana Patekar was found unresponsive in his Goa residence on October 8, 2026. The news comes as a shock to many considering how beloved he was by fans from all around. It was reported that the doctors tried to revive him for almost 45 minutes after he was brought in, but he unfortunately did not respond.

Nana Patekar had been a part of Bollywood for decades, and contributedto the indusrty with his immense work ethics and versatility as an actor. He was a reciptent of three national awards and known for his body of work across various critically aclcaimed movies. Nana Patekar made his debut in Gaman (1978), he quickly established his screen presence for the years to follow.

It was reported that Nana Patekar was working on a project for which his final scenes had been wrapped up. Shakti Shalini is a contrasting tale between Shakti and Shalini where Shakti is an ordinary girl turned protector whereas Shalin is a vengeful spirit on a mission to hunt down men as retribution for her brutal murder. This will be the last film in which Nana Patekar will be seen.

 

Nana

This film will be the latest addition to the Maddock Horror Comedy Universe which also houses some big hits including Stree (2018), Bhediya (2022), Stree 2 (2024) and Thamma (2025) among others.

 

Under the direction of Aditya Sarpotdar and screen writing by Durgesh Singh, Nana Patekar will be seen featuring alongside the rising star Aneet Padda and an ensemble of talents such as Vishal Jethwa, Vineet Kumar Singh and Seema Biswas.

 

There are further reports of Nana Patekar making an appearance alongside his Welcome co-star, Akshay Kumar, following the wrapping up of their scenes in Gwalior.

Also read: Remembering Nana Patekar’s Best Films: Parinda, Krantiveer, Welcome and More

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Exclusive: When Nana Patekar Told Anees Bazmee Welcome Changed How His Kids Saw Him
onmynews.com

Exclusive: When Nana Patekar Told Anees Bazmee Welcome Changed How His Kids Saw Him

Nana Patekar’s passing has left the film industry mourning one of its most distinctive actors. Over a career spanning decades, Nana moved effortlessly between intense dramatic roles and comedy, with his performances in films such as Parinda, Krantiveer, Agni Sakshi, and Welcome.
As tributes pour in, we look back at a 2017 Filmfare interview with filmmaker Anees Bazmee, who shared memories of working with Nana, particularly on Welcome. Bazmee had worked with the actor on several films and spoke about the rapport they developed from their very first meeting.


Recalling the first time he went to narrate Welcome to the actor, Bazmee said, “My tuning with Nana Patekar has been good since my first film, when I went to read the script of Welcome to him. Usually, actors say they have very little time, read quickly and finish it off. Nana Patekar said not to read in a hurry. Explain it in 3 hours. He said, ‘main kachchi mitti ka ghada hun, tum jaise chahe mujhe dhal lena.’”
He continued, “When he is happy he will hug me like a kid. He just wants good work. He is a greedy actor. He has a clean heart. He is very straightforward. That is why it is fun to work with him. After Welcome released, he said to me, Anees, thanks for this film. Because my kids would always get scared of me. They never came near me. But Welcome changed my image in their minds. Now they come and sit in my lap’. That was a very nice compliment for me.”

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Years later, Bazmee’s recollection offers a glimpse into the actor behind some of his most memorable performances.

Also Read: Remembering Nana Patekar’s Best Films: Parinda, Krantiveer, Welcome and More

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