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Exclusive: I Was Lucky to Have Aryan Khan Direct Me- Neville Bharucha on The Ba***ds of Bollywood
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Exclusive: I Was Lucky to Have Aryan Khan Direct Me- Neville Bharucha on The Ba***ds of Bollywood

When comedian, actor and improv trainer Neville Bharucha first received a call to audition for Aryan Khan’s show The Ba***ds of Bollywood, he almost turned it down. At that time, he was working as a school teacher and wasn’t confident about doing a Hindi web series, but after some convincing, he agreed. And what followed was one of the best auditions he had done, eventually landing him the role of DJ Adam. Though he had a brief screen time, Neville’s performance left a lasting impact. Filmfare caught up with him for a candid chat where he reflected on his journey with the series, from his first encounter with Aryan Khan and working alongside veterans like Manoj Pahwa, to the surreal experience of meeting Shah Rukh Khan.

Excerpts:
How did you land an opportunity of working in The Bads Of Bollywood?

I remember getting the call while I was sitting at Bangalore Airport. I initially refused because I was a school teacher at the time, and my Hindi isn’t great, so a web series didn’t seem like the best idea. But the lady on the phone convinced me to go for the audition. I went, and it turned out to be one of the best auditions I’ve ever done. I remember walking out, calling my wife, and telling her, “I think I’m going to get this part.” And sure enough, a month later, I got a call from the same guy who took the audition, who, by the way, did a fantastic job, too.

How was your first meeting with Aryan?

The first time I met Aryan was when I had gone to the Red Chillies office for a table read. I entered the building and I rushed toward the elevator, pressed the button, and someone stopped me from getting in until I heard a voice from inside say, “No, no, let him in.” I stepped in, and there he was, Aryan Khan. He greeted me very warmly as if we had known each other for years, exchanged pleasantries, and I was surprised that he already knew quite a bit about me. He’d clearly done his research, and that was the start of something wonderful.
Can you recall any significant moment from the first table read?

The first feeling I had at the table read was, wow, this is probably one of the coolest things I’ve ever been a part of. That table read was truly fascinating. Watching everyone bring their characters to life was incredible. I remember looking down at my script, hearing the others read, and thinking, Oh my god, the talent these guys have. I honestly couldn’t wait to see how it would all translate on screen, and it turned out outstanding. It was such a wonderful feeling, something I’d never experienced before, and honestly, it was just next level.

What kind of brief did you get for your character from Aryan?

The brief for the character was fantastic. Aryan gave me a clear vision and was super open to my interpretation. He described someone irreverent, fun, deeply focused on his music, confident, and a little out there, and I feel I embodied that well. Everyone seemed to respond positively to the role. It was a super fun character to play. In some ways, it was a bit close to me, but also completely different. I would never wear the clothes DJ Adam wore! Still, it was a blast, and they made me look super cool.
What’s the best compliment you have received for your performance?

All compliments are the best. There isn’t one that’s better than another; it’s just really lovely to have people reach out. Friends from school and college, a couple of teachers, even people I’ve only had fleeting interactions with, have messaged to congratulate me. The most annoyingly sweet part, though, is when people click on my Instagram ads for improv classes just to say, “Hey, I don’t want to take your class, just wanted to say congrats on the show.” It’s very kind, but I pay for every click! So essentially, I’m paying Meta for compliments. Appreciate the love but just DM me, ya! Or better yet, sign up for the class. It’s a fun one.
Neville Bharucha
Tell us about your onscreen and off-screen dynamic with Manoj Pahwa, since most of your scenes were with him.

On-screen and off-screen, it was exactly the same fun, full of masti, and just pure chemistry. From day one, the relationship we’ve shared has had so many unspoken moments that come through beautifully on screen. I’ve had the best time shooting with him. He’s such a brilliant actor, there’s so much depth even in the things he doesn’t say. It was truly my absolute pleasure, and honestly, a privilege to work with a veteran like him.
Was there any scene where you broke character or improvised?

For me, comedy comes naturally, so luckily, this wasn’t a very serious character. There was never a moment when I broke character; it all flowed together. A lot of my reactions to the dialogues came instinctively and were probably improvised. Some moments here and there were definitely added on the spot. But that’s the beauty of it, even I, as the actor, can’t always tell what was improvised and what was scripted. It’s all merged seamlessly into one for me.
What kind of a director was Aryan?

Aryan was an incredible director; he has the best facial expressions, so he can always communicate exactly what’s going on in his mind. He’s very open to your interpretation, too, so we’d often try multiple variations of the same scene, which made the process so exciting. He’s always encouraging, always present with his thoughts, and so sharp and thorough that it genuinely inspires you to give your best. Calling him calm would be an understatement; he’s one of the most chilled-out people I’ve worked with. You hear stories about high-pressure sets, but Aryan made everything feel effortless. I was genuinely lucky to have someone like him direct me; I’d do it again in a heartbeat.
Did you get to interact with SRK on or off set?

We’ve met a couple of times, and it’s always been surreal. You see, this man is probably the most loved person in the entire world, and yet, when he talks to you, it feels like you’re the only person that matters in that moment. First time at Mannat; it was late, we were about to leave, and he just came up to us and started chatting. When it was time to go, he personally came and saw each of us out and said goodbye individually. He’s the warmest gentleman around, a true testament to what good values and genuine kindness look like. It’s no wonder the entire world loves him. Even when he met my wife at the screening, he was an absolute delight. She was over the moon. Her exact words to me after meeting him were, “Our marriage has finally paid off.”
Neville Bharucha
Tell us something special about the premiere night…

The premiere night was surreal, the kind of thing people dream about. You hear about it, you see it, but when it actually happens to you, it’s a blur. Walking the carpet, meeting all the people you’ve shared the most wonderful times with, seeing your work on the big screen, going on stage, meeting everyone, it was something else entirely. Afterwards, everyone was so gracious and happy to be together; the whole gang was buzzing with joy. As much as it felt like a culmination, it was really just the beginning. The world hadn’t seen the show yet. In short, it was the perfect start to the rollercoaster of the past few weeks.
What’s the one most significant moment or memory that you would take away from the show?

What I really enjoyed was the time on set when everyone was together, me, Lakshya, Raghav (Juyal), Manoj sir, and Anya (Singh). We’d all have lunch together, and it was such a nice hour to decompress, chat, and just hang out. Those moments, where we really got to know each other, are some of the nicest memories I’ve ever had.
What’s next for you?

Just a lot of improv teaching, tons of kids’ creative writing classes, improv classes, and doing improv shows. We have shows almost every week or every alternate week at The Habitat, which is always amazing because I love performing live and making people laugh. Those shows are a blast. On top of that, I teach weekend improv classes that I run, and just soaking in everything the work has to offer. That’s about it.

Also Read: Manoj Pahwa on The Ba***ds of Bollywood: Aryan Khan Could Have Sat on SRK’s Throne But… Exclusive

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Asrani: A Life in Laughter
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Asrani: A Life in Laughter

Few actors in Hindi cinema have been as inseparable from laughter as Govardhan Asrani,  known to generations simply as Asrani. Born on  January 1, 1941 in Jaipur, Rajasthan, into a Sindhi–Hindu family, Asrani’s beginnings were modest yet meaningful. His father, who had migrated from Sindh after Partition, ran a carpet business, a man of quiet determination whose values of hard work and humility deeply shaped his son’s life and career.

Educated at St. Xavier’s School and Rajasthan College, Jaipur, Asrani discovered his love for performance early on. To fund his studies, he worked with All India Radio, Jaipur, where he lent his distinctive voice to programmes,  an experience that honed his diction and timing, qualities that later became his comic signature. By the early 1960s, drawn irresistibly towards the world of cinema, he moved to Mumbai. After training under Sahitya Kalabhai Thakkar, he joined the Film and Television Institute of India (FTII), Pune, graduating in 1966, the same institution that moulded some of Indian cinema’s finest storytellers.

Asrani: A Life in Laughter

Asrani’s film journey began in the late 1960s with small, often unnoticed roles. But his expressive eyes, impeccable timing, and distinctive nasal twang soon marked him out. Within a few years, he became one of Hindi cinema’s most beloved comic actors,  the kind who made humour feel effortless and emotion deeply human. Across five prolific decades, he appeared in over 300 films in Hindi and Gujarati, playing leads, sidekicks, villains, and supporting characters with equal conviction. His range,  vast and often underrated,  was his greatest gift.

He even stepped behind the camera, directing six films between 1974 and 1997, showcasing his intuitive understanding of storytelling and rhythm. Among his countless performances, some have become etched into India’s collective memory. His portrayal of the eccentric jailer in Sholay (1975),  the bumbling officer forever stuck in the British era,  remains one of cinema’s most iconic comic turns. His line, “Hum Angrezon ke zamaane ke jailor hain,” still brings a smile, decades later.

Asrani: A Life in Laughter

In Aaj Ki Taaza Khabar, Asrani, enacting a double role, shone in a performance full of chaos and charm in perfect balance. In Abhimaan, he revealed a quieter, more grounded side, proving that his talent extended far beyond comedy. From Chupke Chupke and Chhoti Si Baat to Namak Haraam, Roti and Mere Apne, his presence lit up every frame. He was the quintessential “everyman”,  flawed, funny, and deeply relatable.

He headlined and directed Chala Murari Hero Banne (1977), a semi-autobiographical tale that was both critically acclaimed and widely loved. His filmography through the 1970s remains a masterclass in comic acting,  from Aaj Ki Taaza Khabar and Roti to Prem Nagar, Rafoo Chakkar, Balika Badhu, Fakira, Anurodh, Pati Patni Aur Woh, and Hamare Tumhare.

Asrani: A Life in Laughter

While celebrated for comedy, Asrani also excelled in dramatic and unconventional roles. His turn as the scheming brother in Koshish (1972), the double role in Bidaai (1974), the brooding wastrel in Chaitali (1975), and the romantic in Nikaah (1982) demonstrated his remarkable versatility. He even portrayed a pimp with unexpected depth in Prem Nagar (1974). For his performances in Aaj Ki Taaza Khabar and Balika Badhu, he won two Filmfare Awards for Best Comedian.

Parallel to his Hindi film success, Asrani flourished in Gujarati cinema through the 1970s and 1980s, starring in hits like Amdavad No Rikshawalo, Saat Qaidi, Sansar Chakra, and Pankhi No Malo. In later decades, he continued to appear in Gujarati hits such as Mota Ghar Ni Vahu and Baap Dhamal Dikhra.

Asrani: A Life in Laughter

A particularly cherished chapter of his career was his collaboration with Rajesh Khanna. The two met on the sets of Bawarchi (1972), and their friendship blossomed thereafter. Khanna insisted on having Asrani cast in many of his films, a partnership that spanned over 25 titles, from Bawarchi to Ghar Parivaar (1991). The 2000s brought a delightful resurgence, with Asrani becoming an indispensable part of ensemble comedies like Hera Pheri, Hulchul, Malamal Weekly, Dhamaal, Bhool Bhulaiyaa, and Bol Bachchan. Directors like Priyadarshan and Sajid Nadiadwala frequently turned to him for that perfect blend of wit and warmth only he could deliver.

Off-screen, Asrani led a life of quiet contentment. He married actress Manju Bansal, his co-star from Aaj Ki Taaza Khabar and Namak Haraam, and their partnership,  both personal and professional, spanned decades. Together, they acted in several films, including Tapasya, Chandi Sona, and Hum Nahin Sudhrenge, a home production he directed in 1980.

Asrani: A Life in Laughter

On October 20, 2025, Asrani passed away in Mumbai at the age of 84, following respiratory complications. His passing marked the end of an era, a gentler, more innocent age of Hindi comedy, when laughter came not from punchlines alone, but from character and heart. Tributes poured in from colleagues, admirers, and fans, all remembering him for his generosity, discipline, and the quiet dignity with which he carried success.

Asrani: A Life in Laughter

From his humble beginnings in Jaipur to his place among the immortals of Indian cinema, Asrani’s journey remains deeply inspiring. His humour was never just about eliciting laughter, it was about revealing life’s absurdities with empathy and grace. Whether as the jittery jailer, the loyal friend, or the bewildered everyman, Asrani made us laugh, and often, made us feel.

Asrani: A Life in Laughter

In remembering him, we are reminded that greatness in cinema is not always about stardom, sometimes it lies in timing, truth, and an unwavering love for the craft.

Asrani: A Life in Laughter

Thank you, Asrani, for the laughter, the lessons, and the light you brought to our screens. Your smile will echo through the ages.


Also Read: Akshay Kumar and More Mourn As Veteran Actor Asrani Passes Away

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Israel’s ‘yellow line’ in Gaza gives Netanyahu room for manoeuvre
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Israel’s ‘yellow line’ in Gaza gives Netanyahu room for manoeuvre

Israeli forces have pulled back to a boundary which leaves Israel in control of most of Gaza – keeping far-right ministers on Netanyahu’s side, for now. 

​Israeli forces have pulled back to a boundary which leaves Israel in control of most of Gaza – keeping far-right ministers on Netanyahu’s side, for now.  

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